Friday, November 26, 2010
Armac's Shameless Plugging 2 (Track 5)
Wednesday, November 24, 2010
Bang On!
77
Here's a reminder of what we've been missing over the past 3 weeks:
Tomorrow's Thanksgiving! Badassery Will Surely Ensue.
I know you'll ask about it so I'll elaborate... You see by giving thanks to anything on the fourth Thursday of November for a bountiful harvest, you're religiously executing a ritual, albeit a yearly one. Yes, even those New Age nudists from HELLA-Nor-Cal who claim so feverishly to be Atheists. As long as they celebrate Thanksgiving as a day of thanks for the harvest, they're being religious.
12:30P EST --- NE Patriots (8-2) at DE Lions (2-8) on CBS
4:30P EST --- NO Saints (7-3) at DA Cowboys (3-7) on FOX
8:20P EST --- CN Bengals (2-8) at NY Jets (8-2) on NFLN
Finally, I want to discuss the real meaning of Thanksgiving. Being thankful. First of all, want to thank you for reading and if you read consistently, thank you so much for the support and readership. Makes me feel useful and proud to be all of your friends. I'm thankful for my family (even though they don't read) and I'm thankful for all of my best friends. I want to thank all of the people who read my tweets and get mad at me when I stop. I want to thank all the people who put up with my millions of updates that personally get sent to their phones. I want to thank my dogs and my neighborhood animals for being entertaining. I want to thank Jenn Sarina, my ex-girlfriend, for being a constant source of inspiration and a thorn in the side of my brain (I can't stop thinking about her) it keeps me moving forward and gives me something to strive for.
Last, and most importantly I want to thank God for everything, and I mean everything. As dark and cold as things get for me in my head, I can always step back and see that it's all here because of Him, whoever or whatever He is and it's all so wonderfully, masterfully, complex, limitless, confusing and beautiful.
Thank you all. Tomorrow's Thanksgiving! Badassery will surely ensue!
Comment below and tell me what you are thankful for.
Tuesday, November 23, 2010
North Korea Just Accidentally The Whole Island of Yeonpyeong! Wat do?
As many of you may already know, North Korea just accidentally the whole island of Yeonpyeong, South Korea. In case some of you have been slacking off on your history homework, let me assure you that this a pretty big deal (like me, ZING).
N. Korea and S. Korea used to be one nation, but then Korea suffered a severe case of acute schizophrenia which was, The Korean War. At the end of the war the two sides of Korea decided to draw a big-ass fucking line right down the middle of them and declared it demilitarized (even though they both have huge fucking armies on both sides basically ready to bum-rush across the border and fuck shit up at a moments notice). Since then, 1953, the two sides have basically been having a really intense staring contest.
North Korea just accidentally the whole island of Yeonpyeong! Sometime around 2PM on Monday N. Korean artillery opened fire on the S. Korean island. They launched "dozens (of millions)" of rounds and S. Korea immediately retaliated by scrambling F-16 fighter jets and returning fire with "over 80(thousand)" rounds of artillery fire.
North Korea decided to open fire on a civilian island anyways.
I hope N. Korea decides to continue and attack S. Korea for retarded-ass reasons. I hope they prove without a shadow of a doubt that they are in the wrong, and I hope they get cocky enough to try and pick a real fight. I hope the whole world says, "Wow, you're being a dick." and turns it's back on N. Korea. I hope that China has to decide to either defend the blatantly wrong or turn the cold shoulder in order to protect it's own economic interests.
I really want to see this happen, because I'm fucking tired of hearing about Kim Jong Il and his stupid bullshit.
Monday, November 22, 2010
Poetry Monday.
A poem I wrote, I think it's an explanation.
It’s all I can do to keep myself afloat
When I feel like I’m about to go insane.
I can’t feel your beating heart,
I can’t see your glowing eyes,
I think I left a bit of me behind.
I swear your voice comes alive in my...
This is all I can do to stay afloat.
I just can’t feel anymore.
I don’t feel your beating heart,
I don’t remember your glowing eyes,
I think I left it all behind.
The words that form are all for you
And every time you come back it’s so cold,
But cold is better than to be without you.
I feed on anger as though it were a drug.
At least I can hear you once again my dear.
At least it feels like you are here.
I want to feel your breaking heart,
I miss those lovely morning eyes,
I wish I had come along for the ride.
A suicidal serpent - eating its own tail.
I feel closer when I’m fighting with you.
Sunday, November 21, 2010
An Apology to 28 After Dark
This is a special and, I promise, rare Sunday post from Howie.
28 After Dark. I'm sorry.
I hope one of you reads this and capitalizes on your opportunity or just gives me a little leeway until I can get my computer fixed.
Saturday, November 20, 2010
Armac's Shameless Plugging 1 (Tracks 1-4)
Hey all. So, Howie graciously allowed me to post some music stuff on Saturdays. That's all well and good, but that left the question of whether to just post stuff I've already written and then self-loathe about it, or like, post new stuff and self-loathe about it. I've decided to compromise. At the moment I'm working on redoing a large portion of my already written music, because the original recordings kinda, well, suck.
The first music I really wrote was all part of a story in a continually resetting universe. The story was called TCCV, or The Caves Coma Vortex. I'm not sure what that means, and neither should you. I ended up 'releasing' four albums worth of songs in that story.
Then I started getting betterish musically.
Now I've decided to make this stuff passable as music and then when I've done that, I'll expand on each chapter and make it into a larger coherent story. More on that when it happens.
Anyways. I'll start my series of plugging and writing new songs with the beginning of TCCV.
The TCCV story starts with a tale of a man who is basically The Human Torch from Marvel Comics.
It wasn't explained really in the original album, but the Man of Fire is the first incarnation of Armac.
Armac is the Hero of the TCCV story.
I also stole it for my username on this and other websites.
Its impossible to not feel lame when talking about this story, sigh. Whatever.
So, something bad happened to the Man of Fire, and he sold out to the devil, who is the first incarnation of Eval, TCCV's villian.
Now he believes himself to be killing sin by literally killing every sinner. Of course, everyone sins at one point or another, so he becomes a mass murderer.
I really should have included some of that backstory in the original album. All we're given is that he's killing sinners.
The layout hereon will be:
Track [number] - [title]
[Bandcamp embed of the new version]
Description of the song's story.
What I detested (and every once in a while, what I liked) about the original recording.
Description of the new versions improvements and lacks.
[Bandcamp embed of the old version]
Track One - Burn!
The first song is "Burn!" which was the song Howie was gracious enough to feature on Wednesday's post.
This song takes place during one of the Man of Fire's raids on sinners.
He attacks a bar filled with patrons because in his eyes, they are sinners.
The original version of the song (below) was recorded with an electric guitar.
This enhances the aggressive nature of the song.
My voice however, does no such thing.
It's like I'm talking vaguely tonally.
Not to mention the song verges on the indecipherable at times.
The effects on the voice yelling "burn" is not too bad. But it doesn't mask that I'm not really screaming.
The lead voice overpowers the mic frequently too.
The final round of "burn"s sounds like dogs barking.
The last "burn bright burn strong" is stupid.
The decayed feel of the final "burn" is pretty cool.
In the newly rerecorded version of the song (above) I lost the aggressive electric guitar.
The intro is instead a slowly loudening acoustic guitar.
I accidentally recorded some telephone crap over it. I thought it sounded cool and kept it.
The song is very similar except for the change of instrument.
Other differences: It's slower, sounds better recording-wise, the "burn" yells aren't effected, there are backing vocals.
The only musical difference guitar-wise comes during the bridge. The bridge was originally improvised.
Redoing it was kinda difficult, so I Songicized™ it a bid more.
I also changed the ending because I decided that the "Burn bright" part was lame and cheesy.
I do miss the decayed "Burn!" at the end. But it really was a lucky recording the first time and was therefore unredoable.
Track 2 - Web of Lies
This song is a narrative of the Man of Fire traversing the woods.
The original story for the Man of Fire came from a poem I'd written in high school.
The poem is actually track 5 (next week) on the album. So yea.
This song summarizes what everyone who is not the Man of Fire wonders about him.
Then the Man of Fire realizes he might be being tricked. So his flame goes away.
The original recording has pretty abysmal singing on my part.
I'm like mumbling the words slightly.
Eventually the medium-speed guitar speeds up for no reason.
Then theres a 15-20 second improvised bit.
I whisper something over it, "why can't he stop what he started" I think.
I get louder and higher singing after that.
I also mess up the guitar rhythm, so the vocals come in weirdly.
The redo has a greatly expanded intro. I think for the expanded version of this part of TCCV, I'll turn the intro thing into the Man of Fire's theme.
When the intro finishes, the song resembles the original much more. This time, however, I'm understandable!
The song also is slowerish. Not too much, but it stays slow.
Now that the lyrics are understandable, its clear how cheesy they are.
I yell more in this version. Well, sing louder.
I improvise some ooh-ing continuing from the word "fool" and it sounds pretty cool. I hope I'll be able to recreate that.
This oohing is the replacement of the 15-20 second bridge thing.
Then a much more clear "why can't you stop" thing happens.
There is also much more of a transition back to the slow part.
I like the pause after the last verse. Huh.
This song, Burn!, and Backfire were recorded over the summer, so they aren't as fresh in my mind.
The ending isn't bad either. I kinda miss some notes. Whatever.
OOOOh I really like what I did at the end end.
Sorry for seeming vain.
Track 3- Backfire
Backfire is a song with a pun-title. It continues from Web of Lies, in which the Man of Fire gives up his fire.
The Man of Fire expects to be re-integrated into society.
The townspeople just kill the shit out of him.
This song again used electric guitar.
It was definitely fitting. The vocals screwed it up again.
During the verses, they're kinda hard to understand. During the choruses, they're falsetto messes.
During the weird bridges. I'm not sure what they are.
I sound like a 10 year old in this song.
I will say that musically, this was one of my favorites of the day.
Towards the end, the word "dead" in the phrase "dead and gone he fell" pops out of nowhere.
Then the next line "fell from grace" sounds awesome with the guitar crash.
Then it finishes on the cryptic line "and his face has gone away".
The loud crap at the very very end was a segue into the next track.
The new version loses the electric guitar, which is a shame, but the two acoustic guitars sound ok.
The vocals are much clearer. The aggressivity of the chorus is diminished, which is again a shame.
This song deserves electricity. Sigh.
At least I yell the second chorus. To some success. Lol.
The nonsensical bridge is given a bit more clarity.
The weird voice "why is he so useless" part is changed into a more sense-making set of sung lyrics.
The original's bridge was probably Satan's complaints about the Man of Fire being a wimp.
This changes it into a description of the killing, sort of.
Then there is one of like, 4 solos I've ever done. This one isn't too bad. Nothing special.
The ending, is made more definite.
I kept the "fell from grace" thing I liked, but the ending is super abrupt without the segue. Sigh.
On the whole, loads better than the original.
Track 4- The Final Descent
This song is harder to tell the story of.
I don't remember what I originally intended for it.
What I've reverse engineered for a story is that the Man of Fire is in hell, and sees his deceased love.
He can deal with his hell for this reason.
But he can't actually have her.
Something like that.
The original song is a very experimental thing.
Made primarily of blowing into the microphone and looping it.
It was funnish to make, but very unrepeatable.
The booming was way louder than the previous song, so it scared Howie when he first heard it.
I'm not sure of the time of this release in relation to Nine Inch Nail's "Year Zero" but I believe that the pained yelling (representative of hell) was based on "Hyperpower!" From "Year Zero".
Again, I'm not sure when this was recorded timewise.
The lyrics are "I don't know what I'm doing here, but you are here, so I'll stay here, I don't know what you said my dear, you are here, so i'll stay here, I will burn from head to toe, burn your soul, do you know, I know, I know, I'll burn your soul"
There are a bunch of self-rhymes. Which is super cheating.
I do like my voice here, it sounds not too much like my own. I may have digitally lowered it, I don't recall.
Anyways, the new version had to be drastically different, as it was to be acoustic.
That being said, the only real similarities are the lyrics. BUT I changed those too.
I extended them by a lot, but I attempted to keep the self-rhyming.
That being said, give me a break rhymewise, I know it's a cop out.
The songs intro is one I've been toying with for a while, and I finally got to use.
The faux-bass that comes in used to be way faker sounding, but I added a second layer of it without the reverb, saving that.
Everything on this song is my Classical guitar and voice.
The rhythm of the lyrics is more or less the same.
I semi-yell some lyrics.
I like the harshness of the "I know" part.
I may have held the end of the "soul" note too long, whatever.
This may be my only successful use of echoing.
The end is fairly abrupt, but I like it.
Well! Thats my first post.
Hope it wasn't unbearably long. I'm very open to comments.
From here on, I will be recording the next song on TCCV each week, discussing the continuing story, the lacks of the original, and the fixes in the new.
Basically, each subsequent post will be about 1/4th as long as this one.
Also: Because I'm doing them in order, you can listen ahead on TCCV.
NEXT WEEK:
Track 5- The Legend Told
Friday, November 19, 2010
Announcement. Post Five. New Record.
So, long story short, Taylor is posting this Saturday, not me; I'm not liable for anything he says or does. I hope you enjoy! Support the arts!
Thursday, November 18, 2010
Quick Reminder! Possibilities. Lame Excuse.
Tomorrow is International "Make Someone Feel Uncomfortable" Day and I will be participating in my own special way. I hope whoever happens to be reading will join in the fun. Remember, pics or it didn't happen (video and audio is fine too). Send awesome content to me at howie.ii.52@gmail.com.
Also...
Wednesday, November 17, 2010
Three. A Request. A Plug.
Next...
- He has very low self-esteem. In fact it's really annoying. He has no reason to be so depressed about himself in my humble opinion.
- He and I get along really well. In fact, he gets along well with mostly everybody. He's a really good guy, a fun person to be around, and he can be a fucking riot.
- He is a musician, a lyricist, a poet, a writer, and an artist. He's a damn good one too. Unfortunately, statement number one hinders his musical abilities a ton.
Then, Goddamnation 3- 1998, an ambient industrial tune under the tag, Dissolution of Grandeur.
Thanks to Taylor, for making all this music for us to enjoy.
Thank you for reading.
Tuesday, November 16, 2010
Post Two. Tuesday Special
The main character, a little girl, in the story confronts a robbery and strays from the road she is familiar with. After passing a hedge, she enters an unknown world and unfolds a magical adventure depending on senses and her imagination in stead of her vision. With soft and cute colors as the main key, we used simple designs to depict the little girls' imaginary world.
Monday, November 15, 2010
A First Real Blog Post? No, a Poem.
Remember the Winds
Three years made, just for me, just for her.Remember that gust of wind,
The one that brought us here.
It was unseen, unheard, unknown.
Its angelic ebb and flow
Guided us silently home.Home, for me, is right with you;
Your warm embrace, my port of call.
Looking out across the sea
Of endless possibilities,
I’m just glad you’re here with me.If these gales that brought us near,
Are more than raw, chaotic luck,
Perhaps they have, defined, a goal.
Does He dictate the way they blow,
Did they push us, soul to soul?If these invisible waves of might
Push and pull us till all’s right
Then why, at times, do they lead the fight,
Blow against their normal course,
And lead us, apart, far, far away.Only then, to turn again
And return us to each other’s arms.
As if the battles we had waged
Were never there, never more.Remember please, the winds of Fate.
Before you let him break you down.
They guide the ship that is your heart,
An unearthly vessel, homeward bound.
Sunday, November 14, 2010
This Blog of Mine
Saturday, November 13, 2010
Tuesday, November 9, 2010
Sunday, November 7, 2010
Old Timers: The London to Brighton Run 2010
Apart from reading the brass plaques, counting wheels and realising that the horse had deliberately been left in the stable, how do you tell your De Dion Bouton from your Sunbeam without some real car knowledge?
The quest for understanding meant that the 8am blat to Handcross in Sussex was well attended by 10 or so ReHab'ers (you know, the Reading & Hampshire 7 clubbists), the damp and mist being no barrier to our education.There'd be sausages and coffee too (with a donation to Leukaemia Research) and an estimated 100 or so 7's were expected to pitch up to the layby on the A23... maybe these were the real reasons to catch this traditional end of season event!?
The race boots having absorbed worm cast and attendant moisture from the wet grass, made the sun that broke through very welcome and, from way off, it picked out the array of brasswork that was rolling down the A23 towards Brighton. How curly the horns and how furry the coats in the parade of back to front, tiller steered,wheezing devices mixing with the cyclists, euroboxes and the welcoming audience of 7eveners! There was a lot of 'toot toot'!
Saturday, November 6, 2010
I'm off to test the present.
You know when the sun's out, and the afternoon is free, and when you've just had your birthday and the wife wrapped up that camera you gave her to give you back the next day? Isn't it great to spend a few hours just arseing about and creating a little something for the hell of it! Especially when you live right near the Pirbright Ring:
Note: The Sunrise Seven Squadron (The Sunrisers) cannot guarantee future videos to be of this quality and professionalism.Some of us have to work god-damn it...and anyway this type of mid week fun and frivolity can be addictive and mess up your head.So it cannot be condoned by the other members of the Sunrisers, so stop it.Thanks.
Same bit of road different technique!
____7____
Fall.
Nice colours out there, even if the temperature is a bit crucial at dawn! Low mist, low sun, damp leaves and later starts are not ingredients that we're used too, but they make for some great scenery at visor eye level at full chat. Traffic count is higher though, the horse box fraternity and car bootisters still compete for the same bit of tarmac, who'll be the last still holding ground before the year is out?